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Chor Leoni
  • May 1, 2025 | 7:30pm
  • Canadian Memorial United Church

Harmonia: The Leonids & Chor Leoni

CHOR LEONI,  THE LEONIDS, EMERGING CHORAL ARTIST PROGRAM – ERICK LICHTE, CONDUCTOR

Immerse yourself in both the delicacy and power of the unadorned human voice at Harmonia – Chor Leoni’s a cappella concert offering. The Leonids, Chor Leoni’s professional ensemble composed of some of the finest solo and ensemble voices in North America, return to Vancouver to harmonize alongside Chor Leoni and some of the best up-and coming singing talent in Canada. This harmonic offering, held in the intimate venue of Canadian Memorial Church, will feature the full flourishing of a cappella music – Renaissance motets, folk songs, pop songs and magnificent major works.

Tickets from $20-$85
35 and Under Ticket Pricing Available.

  • May 1, 2025 | 7:30pm
  • Canadian Memorial United Church

Harmonia: The Leonids & Chor Leoni

The Leonids, Chor Leoni, and the singers of the Emerging Choral Artist Program come together to astonish, thrill, and soothe through pure a cappella harmonies in this unique and world-class choral offering.

May 1 | 7:30PM

  • The Leonids

    The Leonids is a professional ensemble under the direction of Artistic Director Erick Lichte. The ensemble serves as the professional headline choir for Chor Leoni’s annual Big Roar Choral Festival and as an educational, inspirational, and aspirational force for this festival and beyond. Like the spectacular meteor showers after which they are named, The Leonids come together once a year to rehearse, record, perform and enrich the experience of the Big Roar festival participants.

  • Tomás Cruz, Tenor

    Known for his "mellifluous, pure tone (New York Classical Review),” Tomás Cruz is a regular in the NYC choral and new music scenes. After studying jazz in college, he began his career in the chorus of Philip Glass’ opera Einstein on the Beach. Since then, he has sung for many artists including Leon Bridges, Toshi Reagon, Ryuichi Sakamoto, Steve Reich, Anthony Braxton, Petr Kotik, Judd Greenstein, Damien Rice, Jonsi & Alex, Lyra Pramuk, and Trinity Wall Street, among others. Notable credits include an appearance on SNL and guest vocalist work on jazz composer Arturo O’Farrill’s Grammy Award winning album Four Questions. Ongoing projects include experimental ensemble Ekmeles, pop a cappella group Duwende, the St. Thomas Choir of Men & Boys, and Philadelphia-based choir The Crossing. Tomás holds two degrees from The New England Conservatory of Music.

  • Brian Hinman, Tenor

  • Harrison Hintzsche, Baritone

  • Sam Kreidenweis, Baritone

    Bass-baritone Sam Kreidenweis’ stylistic versatility, rich sound, and engaging stage presence has gained him praise nationally and abroad. As a vocal chamber music artist Sam appears nationally with GRAMMY® Award-winning Conspirare (Austin, TX), Kinnara Ensemble (Princeton, NJ), Santa Fe Desert Chorale (Santa Fe, NM), Skylark Vocal Ensemble (Greater New England), True Concord Voices & Orchestra (Tucson, AZ), Vocal Arts Ensemble (Cincinnati, OH), and has sung previously with the GRAMMY® Award-winning Phoenix Chorale. Internationally, Sam works with the Dublin, Ireland based ensemble Anúna with whom he has toured throughout Ireland, the United Kingdom, the Netherlands, Belgium, China, and Japan. While singing with the Phoenix Chorale he recorded the Rachmaninoff All-Night Vigil with Chandos Records alongside the Kansas City Chorale, which received two Grammy nominations in 2016 and won for Best Choral Performance. Sam also sang for a season with the professional vocal ensemble Cantus. No stranger to the operatic and musical theatre stages, Sam has worked with the Dayton Opera, Cincinnati Opera, Arizona Opera Company, and the Lyric Opera Theatre at Arizona State University. http://www.samkreidenweis.com/

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  • Glenn Miller, Bass

    Basso-profundo Glenn Miller is a resident of Michigan and has regularly performed, toured, and recorded with leading professional choral ensembles throughout the United States and Europe, including Clarion (NYC), Conspirare (Austin), Cappella Romana (Portland), the St Tikhon’s Chamber Choir (PA), the Patriarch Tikhon Choir (USA and Jerusalem), Skylark (Boston), the Choir of St Thomas Fifth Avenue (NYC), the Desert Chorale (Santa Fe), Audivi (Detroit), the Yale Schola Cantorum and the Yale Choral Artists (New Haven), the Robert Shaw Festival Singers (Atlanta and France), the Thirteen (Washington DC), Vox (Ann Arbor), the St Paul’s Cathedral Choir (London), the Oregon Bach Festival (Eugene), the Princeton University Glee Club, the Harvard University Glee Club, and the University of Chicago/Rockefeller Chapel Choir. While his repertoire ranges from choral works from the Renaissance through recently composed works, he is especially known for his performances of Russian liturgical choral repertoire which began with singing and recording the Rachmaninoff Vespers as a member of the Robert Shaw Festival Singers. To date he has performed this work well over 100 times across the country and has made five recordings of the work, most recently in the all-male version recorded in Jerusalem by the international Patriarch Tikhon Choir (PaTRAM). He was the featured soloist on Conspirare’s recording, “The Sacred Spirit of Russia,” which was awarded a Grammy in 2014 for best choral recording, performing Chesnokov’s “Do not cast me off in my old age,” a choral concerto for basso profundo. Because of his association with the St Tikhon’s Chamber Choir and its director Benedict Sheehan, Sheehan composed the Song of Simeon movement in his larger work, Vespers, specifically for his voice, the first time a vocal concerto in English in this tradition for basso profundo has been composed.

  • Matthew Newhouse, Tenor

    Texas-born tenor, Matthew Newhouse brings power, tenderness and evocative story-telling to the concert stage. A rising name in concert, ensemble and historically informed performance, Matthew’s expertise ranges from Medieval plain-chant to contemporary avant-garde vocal works. As a soloist, Matthew’s recent highlights include Evangelist in Schütz’s Weihnachtshistorie (Harmonium Stellarum), J.S. Bach’s Magnificat (TENET Vocal Artists), Mendelssohn’s Lobgesang (Norfolk Chamber Music Festival), Evangelist in J.S. Bach’s Weihnachtsoratorium (Yale Schola Cantorum), Handel’s Messiah (Handel Choir of Baltimore) and Aaron Jay Kernis’ world premiere of Edensongs (Yale Schola Cantorum). Matthew’s professional ensemble collaborations include projects with Apollo’s Fire, The Thirteen, TENET Vocal Artists, Artefact Ensemble, Evergreen Ensemble, Ensemble Altera and Emmanuel Music. Matthew is a founding member of the New York based vocal ensemble, 4th Wall Ensemble, an exponentially growing organization collaborating with such composers as Jeff Beale and music groups like Grammy-award winning Time for 3. Previous soloist opportunities have included performing with the Houston Masterworks Chorale, Emmanuel Music, Ars Nova Chorale and The New Mexico Philharmonic. Matthew has had the privilege to work intimately with esteemed conductors Grete Pederson, Masaaki Suzuki, David Hill, Richard Bado, Chris Allen, Steven Stubbs, Craig Hella Johnson, and Jeanette Sorrel. Matthew gave his Carnegie Hall debut as winner of the 2019 Semper Pro Competition. In 2023 Matthew proudly participated in the prestigious Virginia Best Adam’s Masterclass at the Carmel Bach Festival. Matthew heralded the inaugural season of the American Voces8 Scholar Programme in 2018, an experience Matthew attributes with forming his small-ensemble singing technique. An avid proponent of Icelandic vocal repertoire, Matthew strives to incorporate Icelandic works into the classical music canon. Matthew holds a Bachelor of Music in Vocal Performance from Baylor University and a Master of Music in Voice: Early Music, Oratorio and Chamber Ensemble from Yale’s School of Music. When not performing, you can find Matthew in the kitchen crafting fresh pasta, bubbling curries or baking fresh bread.

  • Jacob Perry Jr., Tenor

    Tenor Jacob Perry Jr., based in the Washington Metro Area, receives praise for his “gorgeous and stylish” interpretations of Renaissance and Baroque repertoire (ClevelandClassical.com). He has been featured as a soloist with Apollo’s Fire, Handel Choir of Baltimore, Mountainside Baroque, Tempesta di Mare, The Thirteen, Washington Bach Consort, and The City Choir of Washington. Jacob was selected as the tenor participant of the Virginia Best Adams Masterclass of the 2020 Carmel Bach Festival. Deeply immersed in vocal chamber music, Jacob enjoys active membership in Les Canards Chantants, a soloist-ensemble based in Philadelphia, as well as engagements with ensembles such as The Thirteen, the Art of Early Keyboard (ARTEK), New Consort, and Cathedra. Additionally, he can be heard singing with larger choirs such as Yale Choral Artists, The Clarion Choir, Washington Bach Consort, and the Choir of Washington National Cathedral. He has explored the vocal works by contemporary composers through engagements with Third Practice, hexaCollective, and Great Noise Ensemble, and co-directs Bridge, a genre-defying vocal ensemble based in Washington. https://jacobperryjr.com/

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  • Daniel Schwartz, bass

    A Philadelphia native, Daniel has sung with the Opera Philadelphia chorus where he has performed a number of bit roles including The Foreman in the east coast premiere of Oscar. Daniel also sings with The Crossing, a two-time Grammy winning new music choir. He is a founding member of nationally renowned vocal sextet Variant 6. Two years ago he made his debut as a soloist with The Philadelphia Orchestra for Pat Metheny and the American Beat. In addition to his singing career, Daniel holds the position of Artistic Director of the Philadelphia Voices of Pride.

  • Gregório Taniguchi, Tenor

    Gregório Taniguchi crafts compelling performances of historical and new works alike for a modern audience. He has empowered narratives with an intuitive sense for storytelling as the Evangelist in Bach’s St. John Passion and Miles Zegner in Missy Mazzoli's Proving Up. He recently appeared in the Peter Sellars-staged production of Schütz’s Musikalische Exequien with Los Angeles Master Chorale. He has worked with pioneers and the next generation scholar-interpreters of early music, such as John Butt, Maria Guinand, Dana Marsh, Jane Glover, and Matthew Halls. Gregório enjoys the alchemy of collaborative ensemble singing, especially with Clarion Vocal Ensemble, Bach Collegium San Diego, TENET, Washington Bach Consort, Tesserae, Santa Fe Desert Chorale, and Oregon Bach Festival. Gregório is passionate about being an active part of the community of artists, coaching language and teaching. He also prioritizes being part of his ecological community, germinating seeds and raising native wildflowers of the places he calls home.

Concert Program

  • O Nata Lux

    John August Pamintuan

  • Tu Pauperum Refugium

    Josquin des Prez

  • Paradise

    Northport, arr. Malcolm Dalglish

  • Grim and Glacial Funeral Waltzes

    Jaakko Mäntyjärvi

  • Song of Simeon

    Benedict Sheehan

    • (Songs of the Ancient Sea)
  • Manifesto

    David Lang

  • Stand By Me

    arr. Henrik Dahlgren

  • from Future Folk Songs

    Mountain Song

    Zachary Wadsworth

  • Last night of Stars

    Don Macdonald

  • Ili ili

    arr. Ily Matthew Maniano

  • Turlutte Acadienne Montréalaise

    Marie-Claire Saindon

  • Get Happy

    Harold Arlen, arr. Kohl Kitzmiller

  • Mary

    Spiritual, arr. Mark Kibble